‘For the ‘Sandpaper EP’ Lorenz Rhode and Jamie Lidell get together again. Their first collab ‘Any Kind of Pressure’ was followed by Lorenz joining Jamie’s world tour and a remix of ‘Big Love’ for Warp Records. Jamie performs with an amazing energy, and his soulful voice is carried by a warm and playful house backing: Minimoog bass, Rhodes piano and just some sparkles of a very old Roland synth that Lorenz had just bought, and which is now broken.
The second new jam ‘On the Nightshift’ is a fun stabby tune based on a spiraling chord progression. It loops every three-and-a-half bars, just to make life harder for DJs. A real nice warm groover.
The remix for ‘Sandpaper’ is a true family affair! Sound Support is the all new project by Lars Dales better known as 1/2 of Detroit Swindle and Lorenz himself. They’ve just released their debut EP on Prins Thomas’ Internasjonal label in October this year, here they take Jamie’s vocal into a more dramatic and electronic territory touching electro grounds. To close things out we also added an instrumental on the vinyl and radio mix on the digital version of this new EP.’ *Now known as Dam Swindle
Two years after his last incursion on the label, Mark Hawkins is back on Houndstooth with his latest release, ‘Whole New Internet Game (Feat. Donnell Knox)’. A tough, but warm jazzy house four tracker, well worth adding to your collection.
Partially produced with Kalamazoo techno legend Donnell Knox aka D-Knox who is also featured on vocals on the title track, the release is a fitting tribute to the early 90s Detroit house sound, updated with a thicker, more contemporary sounding production aesthetic.
‘Whole New Internet Game’, and ‘Reprise’ are the result of a recording session late in December 2019, when Knox was visiting Hawkins in his studio in Berlin, the former with Knox waxing lyrical about the state of the modern age we live in, which in recent times strikes an even more relevant chord, and the latter, with Knox on co-production duties, being an exercise in making a whole track out of an intro, lush synth pads taking the focus away from the drums, at least for the first few minutes.
Emerald and Sixth reach back even further into Hawkins’ production history, both featuring swung house drums, and jazzed out chord structures produced using a borrowed Roland D-50 synthesizer, one of the classic digital synths of the late 90s, which has been featured on many a Swing or R&B cut of that period.
Another top quality release from Phil Cooper’s NuNorthern Soul label drops 27/11/20, ‘Cosmic Sailing’ from My Friend Dario is a beauty. Channelling vintage 90’s Italo dreamhouse for a contemporary Balearic audience, it’s a shimmering, Summery slice of rythmn and melody. Available on vinyl and digital pre-order now. Turning my rainy corner of southern England into a mediteranean dream with echoes of Sueno Latino and Mr Marvin, it’s a yes from me 🙂
WELCOME TO THE NEW LOVE RENAISSANCE. INTRODUCING HEAD.
Conceived by Disco Superstar Amy Douglas (DFA Records, Horse Meat Disco, The Black Madonna), and Horse Meat Disco member Jim Stanton, Head is an immersive global gypsy tribe, a party and content making machine alike, devoted to making your brain shake and your soul quiver.
Formed by a desire to explore more immersive psychedelic and cerebral impacting content one phone call at 5am has yielded a new boogie supergroup consisting of the aforementioned Ms. Douglas and Mr. Stanton, and including Moon Boots and Michael The Lion vocalist Steven Klavier, Mexico City’s DJ Superstar and Tastemaker, Paurro, Spoken word goddess, Cat P, and on production duties, the engine of Ladyballs records, Amy’s partner in all things music, Mr. Tim Wagner also of Our Starry Universe and Birds of Pandaemonium.
A cover and accompanying video of Frankie Goes To Hollywood’s “Two Tribes” is the first offering from this, the Tribe of Ladyballs Records. This promises to have a most “heady” impact.
Are you ready? Two Tribes and Video debut on October 30th.
Released today on Brighton’s reliably excellent Higher Love Recordings is this fine two tracker from newcomer Perry Granville. The menacing cover artwork give a clue to the contents, a dark, moonlit shot of the rusting wreckage of the old West pier hinting at some dark, twisted productions within. Reeking of smoke machines and amyl, the 8 minute acidic throb of ‘Sailing Ships’ sounds like a new beat echo from 1988 blasting from the Bocaccio’s infamous Klipschorns. It’s dark, disorientating and right on the money. Track two ‘New Arp4’ is even slower and sludgier, with old school break beats, tweaking acid lines and atmospheric vocal lines creating a soundtrack for dark after hours dancefloor missions. Out now via Bandcamp (see below) or Juno Download.
The Orb say ‘Unearthing archive footage from projections used on our 1997 tour! These haven’t been seen since the Albert Hall gig in ’98. Big ups to Peter Ainsley for converting his old reels of footage.’